MC12 - Tronco

The collection Forcina by Leon Ransmeier comprises a chair, an armchair, and a stool with a steel frame, a wooden seat, and a backrest. The collection is rounded off with a table.

"The sustainable approach was to separate the materials and specify the components: wood, recycled feathers and fabric. Then I asked myself what comfort was, a backrest and a seat to sink into.

"If you see it from the side, you could say that the frame is almost typographic, like a letter. The lines offabric cord are also very graphic; yet these lines distort as the body sits down.

RADICE finds its underlying beauty and simplicity in its structure.

The smooth geometry that joins the backrest, armrests and legs is the formal language of injection—molded plastic, and it’s surprising to see in wood.

MEDICI is conceived as a low chair with a comfortably reclined posture. Its generous dimension gives the chair an embracing confidence.

<<We designed an object in plain wood but not in regular plain wood, the quality of the wood literally makes the object, like the best piece of meat would make the refinement of a dish.>&g

Designed by Foster + Partners in collaboration with the Italian manufacturer Mattiazzi, the chair brings together an honesty of materiality with a deep understanding of CNC technology to create a u

<<As with many words, CHIARO has several definitions: clear, bright, and straightforward.>> Leon Ransmeier

DOPO is the second collection designed by Studio OE for Mattiazzi.

CLERICI, Konstantin Grcic's second collection for Mattiazzi, radiates devout serenity. The main concept and the fascination of CLERICI lie in the grand simplicity of the design.

MC20 Cugino by Konstantin Grcic

The chair comes in two styles: a simple, more upright armchair, and the more luxurious lounge version with an extra legrest.

The design for the FACILE came about as a result of our quest to build a bridge between the product ranges in the Mattiazzi collection.

This robust yet simple and refined furniture family was thought to be used in cafès and restaurants, which is why it offers great flexibility - both in use and in the variations proposed.

I observed that the power of the robot, the repetition of the machine and the skills of the craftsmen already have synchronised relationships at Mattiazzi, where each process is as carefully select