Bobo

Alba is a bookcase for displaying and containing, with exceptional compositional versatility. The shelves, thanks to the fixing elements with a single pin, allow to create round compositions.

The inherent simplicity of this structural gesture gives a sense of ethereal lightness when paired with the upholstered seat and high back. 

Strips sofa-bed, where the cover becomes part of the bed itself: by opening a simple zip, the bed is ready, covered and perfect and only a pillow must be added. 

We are at the end of the ‘50s: an interesting series of armchairs and sofas, designed by Roberto Menghi and called Hall, joins arflex collection.

Follow the flowing, softly-curving lines and surfaces, that describe Brigitte armchairs.  

The hug, the friendly and welcoming gesture, seen more clearly in the "open - armed" of the armrests, is meant as a universal invitation: "come, sit with me a while and I will put you at ease".

Taboga armchair was designed by Cini Boeri in 1976.  

The simple image makes the sofa reassuring in its contemporaneity; Leenus is a modular seating system, that allows the adjustment to countless furnishing spaces.

A classic of the '50s office, Elettra is the armchair you can't do without. Thanks to its timeless style and its elegant proportions, it adapts perfectly to any environment.

Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the most technologically advanced material used in upho

The architect Cini Boeri tells that she was inspired by Christo Vladimirov Javasev's and Jeanne-Claude Denat de Guillebon's works, masters in the art of landscape painting.

Papillon applique lamp plays with transparencies, colours and geometric shapes.

arflex, always engaged in a constant work of research and realizations, presents 9000 by Tito Agnoli, a series of compact and variously articulated seats.

Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature.

Rigorous shape for the seating system Naviglio, but pleasantly softened in the lines, thanks to a competent use of the materials.

Generous proportions and a friendly, soft, but still very architectural geometry defines the Tokio sofa collection.